Oct 9
2024

Reactor on Asunder

Asunder by Kerstin Hall

“As with her debut novel, the immersive and compelling Star Eater, Kerstin Hall chucks you straight into Asunder and asks you to keep up. She is a master of consistent, sometimes subtle worldbuilding; anything she needs you to understand, Karys sees, or interacts with, or has cause to explain or have explained to her, succinctly and elegantly.

This story sits just under the skin, a tangle of questions about faith and shame and what a person does with the power they have—or that is given to them. It is, immersively and emotionally, about survival: how a person survives, what they do to survive, what they endure while surviving, and where the choices they make in order to survive wind up taking them. I can’t shake Karys and her choices out of my head, and frankly, I don’t want to.

This world deserves more story, and more time, and more readers, and I hope it gets all three” — Reactor

Sep 6
2024

Locus on Asunder

Asunder by Kerstin Hall

“Kerstin Hall writes sharp, fierce stories with precise and visceral prose, and with worldbuilding that possesses a keen sense for the weird, the haunting, the marvellous, and the twistedly strange. Asunder is only her fourth long-form work, her second novel (after 2021’s Star Eater and the novella duo The Border Keeper and Second Spear) and it is every bit as vividly compelling as I’ve come to expect from Hall – indeed, even more so.

Karys Eska is an independent deathspeaker, locked into an irrevocable compact with Sabaster, a terrifying and unforgiving otherworldly being. She won’t survive her compact being called in – not, at least, in any form recognisable as Karys Eska – and while she doesn’t know exactly when that will be, her time is running short.

…Asunder strikes me as a novel interested in the consequences of desperate choices. All of the major characters have made choices that they were driven to by their circumstances: All of them have been, or are, trapped in some way by the consequences (foreseen or otherwise) of those choices. Many of those choices had no real good outcome. Karys – prickly, foul-mouthed, fighting with her last breath to be a survivor, determined to find some way around the compact with Sabaster that, she’s just learned, will lead to personal consequences even more horrifying than she’d previously imagined – is a deeply compelling protagonist. Her relationships with Ferain, with Winola, and with figures from her past – and the relationships of the other characters in the novel with each other – are all fraught and complicated things, filled with the silences, the secrets, and the partial understandings that undergird real relationships between real, complicated people.

Asunder is a thoughtful novel, complex and deep. It’s also a fast-paced, tense ride through a world that doesn’t hold back from glittering weirdness. Luxury travel in the bellies of dimension-hopping spiders, weapons that turn a person inside out, trains that run on rails made of light, drugs made from the corpses of dead gods, godlike beings with hundreds of wings and faces in their groins: Hall holds back neither wonder nor horror. But throughout, Hall’s skill and control of the narrative never falters. All the moving pieces slot into place, building into a nail-biting climax.

The ending leaves open as many questions as it answers, but although I would desperately love to see a sequel, Asunder is a complete narrative just as it is. A phenomenal one: I can’t recommend it highly enough.” — Locus

Aug 16
2024

Witch King is a 2024 World Fantasy Award finalist!

Witch King by Martha Wells is a 2024 World Fantasy Award finalist in the Best Novel category!

Aug 13
2024

Locus on Three Kinds of Lucky

Three Kinds of Lucky by Kim Harrison

“Petra Grady has the kind of dirty magical job that no one ever talks about when crafting big novels about monsters and mayhem and magic. As a sweeper, she cleans up the ‘‘dross’’ or magic detritus that is created when powerful folks (mages) cast spells. In Kim Harrison’s urban fantasy THREE KINDS OF LUCKY, Petra is eighteen, working hard for a living at a magic university outside of Tucson, Arizona, and trying not to get overly annoyed at the obnoxious mages who treat her like a janitor. She knows, and they know, that if sweepers don’t do their job the dross will become malevolent, shadows will be created and all sorts of chaos will ensue. (I am hugely simplifying the situation but you get the drift.)

What keeps Petra going while surrounded by some first class academic snobs is her colleagues, her nice-enough roommate, and her dog, Pluck. (As someone who survived watching Old Yeller on Wonderful World of Disney, I am honor bound to advise that you do not bond strongly with Pluck. This is a spoiler that I will not apologize for.) But Petra’s old friend, now professor, Benedict Storm has been trying to figure out a way for spells to be cast that mitigates the dross problem, thus negating the need for sweepers. As much as Petra isn’t happy about the ramifications of such research, (primarily because she doesn’t think they know enough about what they are doing to be tampering with powerful magic, but when has that ever stopped a determined bunch of scientists?), she grudgingly agrees to work with Benedict. It all seems academic until an explosion that might involve Petra and then a lot (A LOT) of magical waste erupts from the campus. (There’s a storage facility. Picture Ghostbusters and you get the idea of how badly this can go.) Folks are killed, the existence of magic might be revealed to the non-magic world, a lot of people in authority-type positions want Petra dead or imprisoned. Ditto Benedict. Ditto other folks they care about. Who do you trust? Where do you run? And what in the world does Petra have to do with the explosion? Well, buckle up as Harrison answers all these questions and more while taking her characters through an onslaught of tough situations (both physical and emotional) until they get to the truth and save the world. (Or at least save Tucson.)

THREE KINDS OF LUCKY is the first in Harrison’s new Shadow Age series and she sets things up very nicely for sequels. The core group, good and bad, is established, the worldbuilding is fantastic, and Petra is more than capable of anchoring a long run of books. I saw the villain coming a bit but enjoyed the ride to get to that first confrontation (and all those that followed) way too much to complain. This is solid urban fantasy and a fun read (mostly – remember Pluck!). Harrison fans will be delighted.” — Locus

Jul 22
2024

Reactor on Asunder

Asunder by Kerstin Hall

“I had no idea what to expect when I opened to the first page of Asunder. Kerstin Hall has cemented herself as a brilliantly unpredictable writer. Her surrealist concepts are unlike any other, and she’s unafraid to go to the darkest, weirdest places. Asunder shines as a uniquely ambitious accomplishment among her stellar catalog, and I need you to know that the description I’m about to give pales in comparison to the vibrancy of the actual text. In a world of many gods and demons, we meet Karys, a death speaker, an ability which allows her to peer beyond the veil and recall the whispers of those that have passed. She uses this in a sort of freelance detective capacity, and is on a gig when the Constructs—translucent monsters that eat humans whole—find her. While running from the Constructs she collides with Ferain Taliade, a dying man who has managed to stay just slightly out of reach of the monsters and desperately needs her help. She agrees to magically bind him to her so he’ll stay alive, but he’s sort of living inside her now, which is inconvenient in a lot of ways. Especially considering she’s secretly the vassal for a very powerful eldritch being, not to mention the type of person who keeps getting pulled into dangerous situations. This is a complex, emotional rollercoaster from Hall that grabs you from the first page and never lets go. Oh and also, in this one they use big dogs like taxis.” — Reactor

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