Murderbot: Season One (by Paul Weitz and Chris Weitz (Apple TV+)) has won the Hugo Award for Best Dramatic Presentation, Short Form for the “All Systems Red” episode!

Murderbot is now an Emmy-nominated television program, with nominations in three categories!

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“The lethal but good-hearted security robot that narrates Wells’s Hugo and Nebula award–winning Murderbot Diaries series returns, alongside friends old and new, for its wildly entertaining eighth adventure (after System Collapse). On a high-stakes extraction mission, Murderbot guides fellow SecUnit, Three, to sneak onto a Corporation Rim station and trigger a distraction. Meanwhile, Murderbot, hidden inside a cargo module, slips through the station’s heightened security. To Murderbot’s dismay, successfully played for laughs, the station is built to look like an elaborate planetary landscape, with shops and offices built into man-made cliffs and caves. Despite this rocky terrain, Murderbot reaches the safe house holding Farai, one of Murderbot’s dear friend Dr. Mensah’s two marital partners; their daughter, Sofi; and Farai’s mother, Naja. There, Murderbot encounters another unexpected obstacle: Supervisor Leonide, a higher-up in the Corporation Rim, who convinces the reluctant robot to help her family, sending it on a long and dangerous quest to rescue five more humans. This spectacular journey, punctuated with satisfying combat scenes, takes on an epic flavor grounded by Murderbot’s sardonic voice and Well’s exploration of mental health and physical well-being. Equal parts action packed, humorous, and heartfelt, this proves the series shows no signs of slowing down.” — Publishers Weekly

Murderbot: Season One (by Paul Weitz and Chris Weitz (Apple TV+)) is a finalist for The Ray Bradbury Nebula Award for Outstanding Dramatic Presentation!

“Murderbot volunteered for this rescue mission because it’s certain that they have the best odds of accomplishing this poorly planned operation. They’re not wrong, but they underestimate how long and stressful the trip will be and how fast and often it’s going to go wrong. The plan to rescue members of Dr. Mensah’s family from the evil Barish-Estranza corporation goes immediately off the rails, while Murderbot’s supposed assistant goes rogue, and the journey turns into a long walk through grim places by a ragtag group of refugees keeping it together because they are together. It’s Murderbot’s internal journey that conducts this story from peril to peril, as their paranoia increases and they realize that it’s good to receive help and support from others. It’s fascinating to watch Murderbot grow as a sentient being without any desire to be human, and it’s always terrific to watch them save the day yet again.

VERDICT Murderbot’s legion of fans will be thrilled by Wells’s latest series installment, and readers who love a good, snarky internal monologue will be glad to know that Murderbot is back in fine fettle after their self-doubt in the previous book, System Collapse.” — Library Journal, Starred Review

“The newest Murderbot novel (after System Collapse, 2023) has our titular (not really an anti) hero aided by Three, the newest rogue SecUnit, on a stealth mission in a planetary ring habitat to retrieve members of Mensah’s family, who’ve been kidnapped by the Barish Estranza Corporation in retaliation for her role on the plague planet. Along the way, an unexpected ally complicates the mission, and somehow the corporate mercs seem to know they’re coming. The plot starts off in the middle of the action and doesn’t let up until the very end. It’s an incredibly satisfying ride, and one of the funniest installments in the series: After their false memory issues, Murderbot installed an “emotion check” subroutine and it’s a perfect vehicle for the sarcastic, cynical humor readers crave. Perhaps most intriguing is a small side plot that teases a change with potentially huge implications. Wells returns to form with this one, offering a setting and cast that feels smaller and more intimate, more like her earlier novellas. At the same time, she sets up exciting possibilities for where this universe could go next. The family dynamic adds real poignancy, providing one of the most emotionally resonant Murderbot tales yet. HIGH-DEMAND BACKSTORY: The success of the Apple TV series only adds to Murderbot’s popularity, and readers have patiently waited several years for the next installment in the series.” — Booklist, Starred Review

The Washington Post names Murderbot as one of the top 10 TV shows of 2025!

“It’s fun when slight little shows — especially comedies — overperform by improving on a silly premise. In Apple TV’s goofy space dystopia, “Murderbot,” Alexander Skarsgard plays a crabby, semi-obsolete “SecUnit” (or “private security construct” — sort of a computer with human tissue) that started the series by quietly rebelling against its overlords. Specifically, it hacked its “governor module” to watch a bunch of movies and TV, and it must now hide its newfound sentience (and fandom) from the incompetent humans it’s forced to protect. The series was one of the year’s weirder and more successful television experiments. Created by Weitz brothers Paul and Chris (who also made “American Pie” and “About a Boy”) the show, an adaptation of the first book of Martha Wells’s “The Murderbot Diaries,” makes extraordinary — and original, and very funny — use of Skarsgard’s almost inhumanly handsome and distant screen presence.” — Washington Post